Writing & Composition

  • Plied and Prejudice, Writer: The Shed, Northshore, Woodward Productions and De Bortoli, 2024.

  • The Many Lives of Florence Broadhurst (In Development), Composer: Metro Arts, e.g. Productions, 2023.

  • A Very Naughty Christmas, Writer: Brisbane Powerhouse/La Boite, Woodward Productions, 2017-2024.

  • Hers: A Cabaret, Writer/Performer/Orchestrator: The Outpost Bar, Queensland Cabaret Festival, 2020.

  • The Gospel According to Matthew, Writer/Performer: Brisbane Powerhouse & Butterfly Club, Heaven of Invention (Dir. Simon Mason), 2017.

Music Direction

  • Edges (Pasek & Paul), Assistant Musical Director: QPAC, Queensland Conservatorium (Dir. Elise Greig), 2024.

  • The Threepenny Opera (Kurt Weill), Music Director: QPAC, Queensland Conservatorium (Dir. Penny Farrow), 2023.

  • Into The Woods (Stephen Sondheim), Music Director/Conductor: Wynnum State High School, Savoyards Musical Comedy Society Inc. (Dir. Vanessa Wainwright), 2020.

  • Boy From Oz (Peter Allen), Asst. Music Director/Keys II: Iona Performing Arts Centre, Savoyards Musical Comedy Society Inc. (Dir. Miranda Selwood; M.Dir. Benjamin Tubb-Hearne), 2019.

  • Ladies in Black (Tim Finn), Music Director/Piano/Conductor: Old Ipswich Courthouse, Ipswich Musical Theatre Company (Dir. Tammy Linde), 2019.

  • Grandma: A Cabaret, Music Director/Composer/Creative Consultant: Bedouin Brew, Shannon Maugham, 2018.

  • Dismal Ever After, Music Director/Piano: Hobart Festival of Voices, Wonder Cabinet (Writer: Harriet Jackson), 2018.

  • Bare: The Musical (Damon Intrabartolo), Asst. Music Director/Associate Conductor/Keys II: Brisbane Powerhouse, Understudy Productions (Dir. Sue Rider, M.Dir. Luke Volker), 2018.

  • Witches of Eastwick (Dana P. Rowe), Asst. Music Director: Stuartholme Theatre, The 24 Hour Musical Project (Dir. Zane C. Weber, M.Dir. Kym Brown), 2018.

  • Assassins (Stephen Sondheim), Music Director/Orchestrator: Old Ipswich Courthouse, Ipswich Musical Theatre Company (Dir. Robert Shearer), 2017.

Performance

  • Hers: A Cabaret, Writer/Performer/Orchestrator: The Outpost Bar, Queensland Cabaret Festival, 2020.

  • Dismal Ever After, Featured Vocalist: Hobart Festival of Voices, Wonder Cabinet (Writer: Harriet Jackson), 2018.

  • One Man Rocky Horror (Richard O’Brien), Backing Vocals/Keys II: Brisbane Powerhouse (Dir. Maureen Bowra, M.Dir. James Lees), 2017.

  • Blokes in Voice, Featured Vocalist: Queensland Multicultural Centre, Brisbane Cabaret Festival (Dir. Alison St Ledger), 2017.

  • Bad to Worse, Writer/Performer: Hayward Street Studios, Heaven of Invention (Dir. Simon Mason), 2017.

  • The Gospel According to Matthew, Writer/Performer: Brisbane Powerhouse & Butterfly Club, Heaven of Invention (Dir. Simon Mason), 2017-2018.

  • Legally Blonde, Emmett: Empire Theatre (Dir: Morgan Dowsett; M.Dir: Julie Whiting), 2016.

  • On The Docks (Rex J Ablett), Featured Vocalist: Queensland Conservatorium Theatre (Dir. Alex Bayliss, M.Dir. Luke Volker), 2015-2017.

  • Our Turn!, Featured Vocalist: Burke Street Studio Theatre (Dir. Paul Sabey, Megan Shorey, Kate Foy; M.Dir. Heidi Loveland), 2015.

  • The Other Song, Featured Vocalist: Burke Street Studio Theatre (Dir. Ian Good, M.Dir. Matthew Samer), 2015.

  • Blood Brothers (Willy Russell), Mr Lyons: Burke Street Studio Theatre (Dir. Ian Good, M.Dir. Matthew Samer), 2015.

  • Working, Featured Vocalist: Burke Street Studio Theatre (Dir. Penny Farrow, M.Dir. Heidi Loveland), 2015.

  • Godspell, Featured Vocalist: Burke Street Studio Theatre (Dir. Helen Howard, M.Dir. Matthew Samer), 2014.

Training

Bachelor of Music (Musical Theatre) 2015, Queensland Conservatorium, Griffith University, Queensland.

Voice: Melissa Agnew (Linklater Technique)

Singing: John Peek; Paul Sabey

Acting: Kate Foy (Wilson), Penny Farrow, Ian Good

Dance: John Clarke, John Sandurski, Helena Moore, Shannon Atkins

Skills

Music: Baritone (Eb2-Bb4); Musical Theatre Piano; Intermediate Composition, Musical Directing; Vocal Arrangement.

Dance: Intermediate Tap; Basic Jazz & Ballet.

Voice: Linklater Technique. Accents include: General & Cultivated Australian; British (RP, Estuary, Liverpool, Original Pronunciation); American (GenAm, General Southern).

Technical/Misc: Directing; Advanced Music Theory; Dramaturgy; Teaching (Singing); Stand-up Comedy; Writing for Theatre.